播放地址

剧情简介

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.                                                                      A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and  "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.                                                                      Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.                                                                      The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.

猜你喜欢

  • 正片

    云边有个小卖部

    彭昱畅,周也,艾丽娅,陈贤恩,孔连顺,张艺凡,田依桐,林家川,王珞丹,王大陆,马伯骞,孟子义,陈妍希,李嘉琦,张祐维,易小星,滕哲,王天放,沈南,刘昊然,乔杉,赵露思

  • 正片

    一次失误

    伊丽莎白·班克斯,米奇·萨姆纳,西蒙·迈克伯尼,弗恩·萨瑟兰,丽纳·欧文,乔尔·托贝克,拜伦·科尔,马修·桑德兰,埃米特·斯基尔顿,伊恩·休斯,理查德·克劳奇利,Ella Hope-Higginson,Nick Dunbar,Niwa Whatuira,Acacia O,Connor,Sam Wang,Ally Xue,Emma Draper,Amelia Reynolds,Sahil Arora

  • 正片

    毕正明的证明

    王安宇,张天爱,聂远,王彦霖,冯兵,邬家楷,孔令美,黄小蕾,冯雷,石云鹏,于白水,生港帅,楚布花羯,李晓川

  • 正片

    绝代艳星宝莲的一生

    孙亚莉,谷峰,陈明君,古慧珍

  • 正片

    东极岛

    朱一龙,吴磊,倪妮,杨皓宇,陈明昊,倪大红,威廉·弗兰克林-米勒,李九霄,王奕权,李卓钊

  • 正片

    迪拜的女孩

    乔瑟夫·帕夫洛夫斯基,吉欧里奥·贝鲁蒂,安德烈·普雷蒂,亚历克桑德拉·贾斯塔,扬·恩格莱特,保利娜·加拉萨卡,玛丽亚·萨多夫斯卡,Katarzyna·Figura·Katarzyna·Figura,Dorota·Rabczewska·Dorota·Rabczewska,Beata·Scibakówna·Beata·Scibakówna,Sebastian·Konrad·Sebastian·Konrad,阿妮塔·扬茨亚,Ryszard·Chlebus·Ryszard·Chlebus

  • 正片

    花与蛇

    杉本彩,远藤宪一

  • 正片

    震耳欲聋

    檀健次,兰西雅,王戈,潘斌龙,王砚辉,迟蓬,李菁菁,范翔,胡晓光,宁桓宇,吴昊宸,周政杰,欧剑宇,蒋中炜,谢承颖,从瑞麟,赵梓冲,国义骞,吴恩璇,贾子千,詹妮,邵老五,孙筱钧,努尔孜业·艾力克木,祝天宇

  • 正片

    奥本海默

    马提亚斯·施维赫夫,基里安·墨菲,小罗伯特·唐尼,詹姆斯·达西,弗洛伦丝·皮尤,亚历克斯·沃尔夫,拉米·马雷克,加里·奥德曼,肯尼思·布拉纳,杰佛逊·豪尔,肖恩·艾弗里,阿尔登·埃伦瑞奇,迪伦·阿诺德,梅肯·布莱尔,艾米莉·布朗特,杰克·奎德,杰夫·赫普内尔,乔什·哈奈特,艾玛·杜蒙特,杰森·克拉克,杰米·约翰·韦尔斯,汤姆·康蒂,戴文·博斯蒂克,克里斯托弗·邓汉,Gustaf Skarsgård,卡西·阿弗莱克,拜斯·约翰逊,大卫·达斯马齐连,奥莉薇·瑟尔比,乔希·佩克,马修·莫迪恩,盖·布耐特,大卫·

  • 正片

    边城英烈传

    帕特里克·威尔森,杰森·帕特里克,巴克·泰勒,丹尼斯·奎德,马克·布鲁卡斯,阿非莫·奥米拉,詹迪·莫拉,理查德·琼斯,布兰顿·史密斯,马克·门查卡,马特·欧莱瑞,艾德文·霍德吉,比利·鲍伯·松顿,利卡多·查维拉,卡斯图罗·格雷拉,W·厄尔·布朗,莱昂·里皮,兰斯·霍华德,艾米丽·丹斯切尔,Krystal·Morton,达蒙·克拉克,约翰·S.戴维斯,Robert·C.·Pemelton,汤姆·埃沃雷特,姬特·格温,史蒂芬·切斯特·普林斯,埃米利洛·艾切瓦利亚,斯蒂芬·布鲁顿,罗兰·乌利比,Nathan·P

  • 正片

    城市广场

    蕾切尔·薇兹,奥斯卡·伊萨克,约塞夫·斯威德,鲁珀特·伊文斯,麦克思·明格拉,阿什拉夫·巴姆,阿什拉弗·格尼姆,奥斯瑞·科恩,艾波·罗丝·雷瓦,乔丹·基兹克

  • 正片

    一只黄鸟

    黄璐,希玛·比斯瓦斯,因陀罗·钱德兰